Civil War daguerreotype of a soldier in uniform with his sword in very good original condition. The velvet-lined gutta-percha case, also in very good condition, measures 5.5 inches high, 4 and an eighth inches wide and .75 of an inch thick. If you wish to browse our entire available inventory please go to OneofaKindAntiques.com. We also offer a consultation service AntiquesConsultant.com, ... as well as an online price guide at PriceMyItem.com. Connecticut residents and buyers picking up in Connecticut please add the CT state sales tax. Buyers outside the USA are responsible for any taxes, tariffs or customs that might apply.
Charming vintage French carousel pig on stand c1950 named "Babette". This is a later copy of an antique wooden pig originally made by the Bayol Company in Angers, France between 1870 - 1900. Excellent condition. Made from fiberglass and all hand painted. The base is cast iron on wood with a wooden pole insert. Measures 65 inches long, 54 inches to the top of the pig and 82 inches to the top of the pole. The pig is 14 inches wide and 27 inches tall with blown glass eyes and a fringed tail. This item is on display in our gallery at Old Saybrook Antiques Center and can be seen in-person by visiting 756 Middlesex Tpke Old Saybrook, CT 06475. For hours of operation visit: OldSaybrookAntiquesCenter.com If you wish to browse our entire available inventory please go to OneofaKindAntiques.com. We also offer a consultation service AntiquesConsultant.com, ... as well as an online price guide at PriceMyItem.com. Connecticut residents and buyers picking up in Connecticut please add the CT state sales tax. Buyers outside the USA are responsible for any taxes, tariffs or customs that might apply.
Civil War era iron rammer or pounder with ash wood shaft in fine original condition. Note the wear to the shaft where a man gripped it. The iron ball measures 4 inches in diameter and the shaft measures 48 inches long. Beautiful old patina. If you wish to browse our entire available inventory please go to OneofaKindAntiques.com. We also offer a consultation service AntiquesConsultant.com, ... as well as an online price guide at PriceMyItem.com. Connecticut residents and buyers picking up in Connecticut please add the CT state sales tax. Buyers outside the USA are responsible for any taxes, tariffs or customs that might apply.
Francesco Rocchini photograph of a palm tree in the Place Necessidades Gardens in Lisbon Portugal. The Palace of Necessidades is a historical building in the Largo do Rilvas, a public square in Lisbon, Portugal. It serves as headquarters of the Portuguese Foreign Ministry. c1870-1880. Formerly a convent belonging to the Congregation of the Oratory, it was built in the 18th century, by order of King John V, in gratitude for prayers answered by Our Lady of Needs, whose first devotional chapel stood on this site Rocchini was born in 1820 died 1893. The photo retains the artist impressed stamp lower right and measures 8.5 x 10.5 inches. Very good condition with some fading. The frame measures 21 x 17 inches.
Day and Meyer Packers and Shippers photograph by Davis and Eickemeyer c1900. Day and Meyer, packers and shippers of fine furniture and works of art, was located at 341 Fourth Avenue, New York City. The original frame measures 22.5 x 18.5 inches, the photo itself measures 10.5 x 13 inches. Good condition with some fading, signed on mat lower right. Eickemeyer was born in Yonkers, New York, in 1862. Though widely travelled, he would live in Yonkers his entire life. Eickemeyer's father had fled to New York in the early 1850s following political upheavals in his native Bavaria, and became a noted inventor. His firm, Osterheld and Eickemeyer, invented a hat-blocking machine that revolutionized the hat industry, and made a number of advancements in electrical lighting. The younger Eickemeyer joined his father's firm as a draftsman in 1879. Eickemeyer first became interested in photography as a means to help document his father's inventions. He purchased his first camera, an "abnormally thick" Platyscope B, on February 2, 1884, and took his first photograph, an albumen print of his sister, the following day. Immediately drawn to the camera's artistic potential, Eickemeyer considered pursuing a career as a photographer, but his father disapproved, so he continued working for his father's firm. Eickemeyer won 11 medals at the Yonkers Photo Club's Lantern Slide Exhibition in October 1890, and over the subsequent decade, he collected over a hundred medals at exhibitions and salons around the world. After his father's death in 1895, he left his father's firm and joined the Carbon Studio in Manhattan, which specialized in portraits, and gained a reputation for photographs of high-society women. That year, he and Alfred Stieglitz became the first Americans admitted to the English pictorialist society, the Linked Ring. While Eickemeyer's work appeared in Stieglitz's Camera Notes, he was unimpressed with the rise of the Stieglitz-led Photo-Secession early in the following century. He was one of four Links who never joined the Photo-Secession, the others being F. Holland Day, Margaret Russell Foster, and C. Yarnall Abbott. In 1900, Eickemeyer joined the New York Camera Club, and exhibited 154 frames in his first one-man show at the club. That same year, he published his first book, Down South, and was appointed art manager of the Campbell Art Studio on Fifth Avenue, with which he would remain intermittently until 1915. It was while at Campbell that Eickemeyer conducted his famous shoot of New York model Evelyn Nesbit. Eickemeyer was awarded the gold medal for photography at the St. Louis World's Fair in 1904. The following year, he purchased half of the photographic firm, Davis and Stanford (renamed Davis and Eickemeyer), which operated out of a studio at 246 Fifth Avenue. In 1911, Eickemeyer was commissioned by William Randolph Hearst to photograph American wives of British peerage as part of the coronation ceremonies of King George V. Eickemeyer hosted a restropective of his work at the Anderson Galleries in New York in 1922, and made his last submissions to the London Salon in 1926. In 1929, he donated most of his best-known photographs to the Smithsonian Institution. The following year, he served as a judge in Kodak's international photography competition alongside Thomas Edison, John J. Pershing, Richard E. Byrd, and Benito Mussolini. He died at St. John's Hospital in Yonkers in 1932. A collection of his photographs have been donated to the Yonkers Museum. Bio taken from Wikipdeia.com