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Original Serigraph Inward Eye Richard Joseph Anuszkiewicz c1970
Item# 8721    $1300
Original Serigraph Inward Eye Richard Joseph Anuszkiewicz c1970

One of 10 original serigraphs in the 1970 "Inward Eye" Edition by Richard Joseph Anuszkiewicz (b. 1930), pencil signed by the artist and numbered 285/500. The image measures 25 7/8 by 19 5/8 inches and the frame measures 25 x 31 inches. Excellent condition. Framed to museum standards by the Chester Gallery in Chester, CT, known as Sol Lewitt's framer of choice. Anuszkiewicz, one of the foremost op artists of the mid-twentieth century, is widely known for his vibrating color combinations and use of simple geometric and linear forms to explore the nature of color and visual perception. Anuszkiewicz’s work is carefully (almost scientifically) planned and executed. His compositions are symmetrical, uniform, and flat; they offer little in terms of physical depth and space. Technically superb, the work is impersonal and cool, focusing solely on color and its function as the subject of his images. Inward Eye offers a compilation of the diverse compositional approaches and color experiments that is typical of Anuszkiewicz’s work in his early career. Inward Eye was published by the Aquarius Press and printed in Baltimore in 1970. The complete edition consists of 10 images with illuminating text by William Blake. These serigraphs are difficult to photograph because the motion in the images fools the camera. The complete set of images and folio pages are presented in this exhibition: http://www.uwyo.edu/artmuseumimages/docs/anuszkiewiczcurriculum2.pdf This item is on display in our gallery at Clock Tower Antiques Center and can be seen in-person by visiting 824 E Main Street Branford, CT 06405. For hours of operation visit: http://www.ClockTowerAntiquesCenter.com

 
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Original Serigraph Inward Eye Richard Anuszkiewicz c1970
Item# 8720    $1300
Original Serigraph Inward Eye Richard Anuszkiewicz c1970

One of 10 original serigraphs in the 1970 "Inward Eye" Edition by Richard Joseph Anuszkiewicz (b. 1930), pencil signed by the artist and numbered 285/500. The image measures 25 7/8 by 19 5/8 inches; the frame measures 25 x 31 inches. Excellent condition. Framed to museum standards by the Chester Gallery in Chester, CT, known as Sol Lewitt's framer of choice. Anuszkiewicz, one of the foremost op artists of the mid-twentieth century, is widely known for his vibrating color combinations and use of simple geometric and linear forms to explore the nature of color and visual perception. Anuszkiewicz’s work is carefully (almost scientifically) planned and executed. His compositions are symmetrical, uniform, and flat; they offer little in terms of physical depth and space. Technically superb, the work is impersonal and cool, focusing solely on color and its function as the subject of his images. Inward Eye offers a compilation of the diverse compositional approaches and color experiments that is typical of Anuszkiewicz’s work in his early career. Inward Eye was published by the Aquarius Press and printed in Baltimore in 1970. The complete edition consists of 10 images with illuminating text by William Blake. These serigraphs are difficult to photograph because motion in them fools the camera. The complete set of images and folio pages are presented in this exhibition: http://www.uwyo.edu/artmuseumimages/docs/anuszkiewiczcurriculum2.pdf This item is on display in our gallery at Clock Tower Antiques Center and can be seen in-person by visiting 824 E Main Street Branford, CT 06405. For hours of operation visit: http://www.ClockTowerAntiquesCenter.com

 
Shipping Extra. Connecticut residents add 6.35 percent sales tax. Buyers outside of the United States are responsible for any customs taxes or tariffs that may apply.

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Robert Mitford copper plate etching Common Barnacle  c1850
Item# 8654    $475
Robert Mitford copper plate etching Common Barnacle  c1850

Robert Mitford (1781-1870)copper plate etching with hand coloring print Common Barnacle, after Prideaux John Selby (1788 - 1867. Plate XLV. Print measures 22.5 x 16.25 inches, frame measures 26.5 x 32 inches. It is mounted in a beautiful solid wood museum quality frame with gold insert. This print hung in the board room of the Atlantic Golf Club. From “Illustrations of British Ornothology", London, 1820 - 1834. Signed in the plate R. Mitford. Fine original hand coloring. If you wish to browse our entire available inventory please go to OneofaKindAntiques.com. We also offer a consultation service AntiquesConsultant.com, ... as well as an online price guide at PriceMyItem.com. Connecticut residents and buyers picking up in Connecticut please add the CT state sales tax. Buyers outside the USA are responsible for any taxes, tariffs or customs that might apply.

 
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Prideaux John Selby engraving Common Gull in Winter Plumage
Item# 8652    $475
Prideaux John Selby engraving Common Gull in Winter Plumage

Common Gull in Winter Plumage hand colored print plate XCIIIC 1841-1846. Etched to copper plate by the artist, and engraved and hand colored by W H Lizars of Edinburgh. Prideaux John Selby (23 July 1788 – 27 March 1867) was born in Alnwick, Northumberland, England, the son of a wealthy landowner. He studied at University College, Oxford. He married Lewis Tabitha Mitford and they had three daughters. Selby is best known for his bird folio Illustrations of British Ornithology (1821–1834), the first set of life-sized illustrations of British birds. He also wrote Illustrations of Ornithology with William Jardine and A History of British Forest-trees (1842). Many of the illustrations in his works were drawn from specimens in his collection. In addition to the above works he contributed to Jardine's Naturalist's Library the volumes on the Pigeons (1835) and the Parrots (1836), the latter illustrated by Edward Lear. He was for some time one of the editors of the Magazine of Zoology and Botany. His collections were sold in 1885 and became dispersed. The South African birds collected by Andrew Smith went to the Zoology Museum of the University of Cambridge. See: Mullens; Swann. (1918). A Bibliography of British Ornithology. Raine, Revd. James (1852). The History and Antiquities of North Durham. page 338 Jackson, Christine E. (2004). Oxford Dictionary of National Biography. The print measures 22.25 x 16.25 inches and is in a beautiful first quality solid wood museum quality frame with gold insert that measures 33.75 x 29.25 inches. This piece hung in the board room of the Atlantic Golf Club. Excellent condition. We also offer a consultation service AntiquesConsultant.com, ... as well as an online price guide at PriceMyItem.com.

 
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Minzuno Toshikata woodcut triptych Chinski admiral in an interior ships engaged in battle
Item# 8620    $1400
Minzuno Toshikata woodcut triptych Chinski admiral in an interior ships engaged in battle

Minzuno Toshikata (Japanese, 1866-1908), colored woodcut triptych, depicting Chinski admiral Ding Ruchang popelniajacy samobojstwo in an interior, ships engaged in battle. The frame measures 20.5 x 34 inches and the woodblock print measures 14 x 27.5 inches. Very good condition. The photos show some reflection spots because it is under glass, which is very hard to photograph. Toshikata was born as Mizuno Kumejirō in 1866 in Tokyo to a plasterer's family. When he was thirteen years old his father, Nonaka Kichigoro, sent him to study with Yoshitoshi Tsukioka (1839-1892), who was to designate Toshikata as his successor. Yoshitoshi gave him the character toshi (年 or its variant 秊) from his own name as the first character of his art name Toshikata. Yoshitoshi is also said to have passed his artist seals along to Toshikata1. He also apprenticed for a time with the ceramic painter Yamada Ryuto and studied traditional Japanese painting (nanga) with Shibata Hoshu and Watanabe Shōtei (aka Watanabe Seitei, 1851-1918). In 1887, on Yoshitoshi's recommendation, he succeeded Yoshitoshi as the illustrator at the newspaper Yamato shimbun, where he achieved acclaim. He worked at the Yamato shimbum until 1894. During the Sino-Japanese War (1894-1895), which brought about a brief resurgence of woodblock printmaking, he created a large body of work depicting battle scenes. His work is some of the best to be produced during that period. He was active as a painter of genre and historical subjects, receiving awards of merit in 1898, 1899, 1900 and 1902 at the joint Japan Art Institute/Japan Painting Association (Nihon Bijutsuin/Nihon Kaiga Kyokai) exhibition and was active in the Japan Art Society (Nihon Bijutsu Kyōkai), and the Japan Painting Society (Nihon Kaiga Kyōkai) and the Academy of Japanese Art (Nippon Bijutsuin). This item is on display in our gallery at BRANFORD ANTIQUES & HOME DESIGN 824 EAST MAIN ST.BRANFORD, CT O6405 203 488-1919 open 7 days. Formerly Clocktower Antiques

 
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