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Today's Featured Items

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Vintage Period Lighting Fixtures acanthus chandelier from Sturbridge Village Museum

Fine exact reproduction of the colonial acanthus arm chandelier in the Sturbridge Village Museum collection, hand crafted by Richard D. Scofield of Period Lighting Fixtures in the 1980s. This chandelier features a hand-turned painted wood shaft with aged tin arms. Measures 28” W X 15” H. The arms extend 10" and are 6" high at the bottom curve. Richard D. Scofield made the finest exact copies of period American lighting in the country and was allowed by Historic Deerfield to make copies of its collection. After he died at an early age, the company continued under different ownership but finally closed. The earlier works like this one are coveted by collectors of period Americana.

English sterling snuff box Birmingham 1880

English sterling patch or snuff box with engraved exterior and gold vermeil interior. Never monogrammed. Birmingham 1880-1901. Measures 2 and one eighth inches long by 1.5 inches wide.

Antique iron lyre form boot scraper c1850

Antique iron lyre form painted boot scraper circa 1850. This antique American cast iron boot scraper retains its original dark red paint. Measures 13.5 inches long by 10.5 inches wide by 6.5 inches wide.

English Regency oval breakfast table

English Regency tilt top oval breakfast or dining table. Book matched burl walnut top inlaid with satinwood and ebony banded inlay. The legs are also inlaid and end in solid brass casters. Measures 44.75 inches wide by 31.5 inches deep by 31 inches high.

Sarah Nastapoka soapstone carving

Sarah Nastapoka soapstone carving. Dated 1973 and titled "Face Encircled by Hood". Measures 11.25" x 9". Sarah Nastapoka was born in 1925 and is considered one of Canada's most outstanding Inuit artists. Nastapoka worked on her husband’s carvings, as well as her own. She could not spell her name and, at her request, her husband Abraham often signed his name on her sculptures. In 1974, Nastapoka and her son set up a place to carve near the Inukjuak River. She traveled by dog team to quarry her own soapstone, which was located about 50 miles away in a place called Sungauyak, which means “beautiful stone” (Wight 2006:75). In an unpublished interview with Inuit Art Foundation staff in 2009, she said that she can no longer carve since her “hands do not work anymore.”
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