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John L Doyle The Great Human Race Merchants and Traders Folio
Item# 10058    $2700
John L Doyle The Great Human Race Merchants and Traders Folio

John L. Doyle's "The Great Human Race" / Portfolio Three / Merchants and Traders. Original lithographs and monochrome proofs. We show photos of part of the folio. This folio is number 150 of 225, and consists of 17 of the original 20 prints (8 lithographs on BFK Rives paper and 9 monochrome proofs on handmade paper). Each print is signed, numbered and titled by the artist, and stamped and signed on the back by the printer, Roland Poska, Fishy Whale Press. The lithographs: Hausa Trader; Tiauguiz; Kasuwa; Merchant Banker; Pedlar; Mercato; Bazar; and Nieu-Shih. The monochromes: Hausa Trader; Tiauguiz; Kasuwa; Merchant Banker; Pedlar; Mercato; Bazar; Nieu-Shih; and Pochteca. John L. Doyle was born in Chicago Illinois in 1939. He received his bachelors degree at the Art Institute of Chicago, and his masters degree at Northern Illinois University. John L. Doyle's art reflects his fascination with the human condition. For over a decade, previous to creating the art displayed below, Doyle studied ethnology and anthropology. The product of this study is a visual recording of what Doyle learned and set down in drawings. The drawings became the foundation for a series of lithographs which developed into a life's work art project which Doyle titled The Great Human Race. The art visually records categorical statements about civilization. The presentation is about the cultural development of particular disciplines. Doyle has had more than 50 one man national exhibitions, participated in more than 30 national and international group exhibitions, and is the recipient of more than 32 awards, including purchase prizes. He is listed in Who's Who in American Art. John Doyle died on March 14, 2010 in Burnesville, North Carolina

 
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John L Doyle The Great Human Race The Counselors Folio
Item# 10057    $2400
John L Doyle The Great Human Race The Counselors Folio

John L. Doyle's "The Great Human Race" / Portfolio One / The Counselors, 1985. Original lithographs and monochrome proofs. We show photos of part of the folio. This folio is number 150 of 225, and consists of 14 of the original 20 prints (5 lithographs on BFK Rives paper and 9 monochrome proofs on handmade paper). Each print is signed, numbered and titled by the artist, and stamped and signed on the back by the printer, Roland Poska, Fishy Whale Press. The lithographs: Knowledge; Equity; Custom; Judgement; and Authority. The monochromes: Knowledge; Equity; Custom; Judgement; Authority; Obligations; Renewal; Wisdom; and Truth. John L. Doyle was born in Chicago Illinois in 1939. He received his bachelors degree at the Art Institute of Chicago, and his masters degree at Northern Illinois University. John L. Doyle's art reflects his fascination with the human condition. For over a decade, previous to creating the art displayed below, Doyle studied ethnology and anthropology. The product of this study is a visual recording of what Doyle learned and set down in drawings. The drawings became the foundation for a series of lithographs which developed into a life's work art project which Doyle titled The Great Human Race. The art visually records categorical statements about civilization. The presentation is about the cultural development of particular disciplines. Doyle has had more than 50 one man national exhibitions, participated in more than 30 national and international group exhibitions, and is the recipient of more than 32 awards, including purchase prizes. He is listed in Who's Who in American Art. John Doyle died on March 14, 2010 in Burnesville, North Carolina.

 
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John L Doyle The Great Human Race The Builders Folio
Item# 10056    $2500
John L Doyle The Great Human Race The Builders Folio

John L. Doyle's "The Great Human Race" / Portfolio Two / The Builders, 1983. Original lithographs and monochrome proofs. We show photos of part of the folio. This folio is number 150 of 200, and consists of 15 of the original 20 prints (6 lithographs on BFK Rives paper and 9 monochrome proofs on handmade paper). Each print is signed, numbered and titled by the artist, and stamped and signed on the back by the printer, Roland Poska, Fishy Whale Press. The lithographs: The Spirits House; Aztec Echo; Pharaoh's Soul; The Vision; House of Words; and Christian Builder. The monochromes: The Spirits House; Aztec Echo; Pharaoh's Soul; The Vision; House of Words; Christian Builder; The Reliquarian; and The Otter's Request. The artist, John L. Doyle, was born in Chicago, Illinois, in 1939. He received his bachelor's degree at the Art Institute of Chicago, and his master's degree at Northern Illinois University. John L. Doyle's art reflects his fascination with the human condition. For over a decade, previous to creating the art displayed below, Doyle studied ethnology and anthropology. The product of this study is a visual recording of what Doyle learned and set down in drawings. The drawings became the foundation for a series of lithographs which developed into a life's work art project which Doyle titled The Great Human Race. The art visually records categorical statements about civilization. The presentation is about the cultural development of particular disciplines. Doyle has had more than 50 one man national exhibitions, participated in more than 30 national and international group exhibitions, and is the recipient of more than 32 awards, including purchase prizes. He is listed in Falk's Who Was Who in American Art. He died on March 14, 2010, in Burnesville, North Carolina.

 
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D P Tyson original signed etching Junks and Coolies
Item# 10040    $350
D P Tyson original signed etching Junks and Coolies

Dorsey Potter Tyson original signed etching "Junks and Coolies" circa 1927. Colored in the plate, each color separately pressed. Sold by Seller's Book Shop, 1310 Walnut Street, Philadelphia, PA. Mounted in original mat and frame with seller's label on reverse. Printed on rice paper, signed lower right and numbered 3/100 lower left. Sight 7.25" x 7.5". Frame 15.25" x 20.25". The artist captured the Art Deco era's craze for things Chinese, although he never went there. This item is on display in our gallery at OLD SAYBROOK ANTIQUES CENTER and can be seen in-person by visiting 756 MIDDLESEX AVE OLD SAYBROOK, CT 06475. For hours of operation visit: http://www.OldSaybrookAntiquesCenter.com

 
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Kazutoshi Sugiura Japanese Poppies serigraph no 4 1992
Item# 10033    $585
Kazutoshi Sugiura Japanese Poppies serigraph no 4 1992

Kazutoshi Sugiura Japanese Poppies serigraph number 4, 25/100, dated 1992. Veerhoff Galleries, Washington, DC, label on reverse. Signed at lower right and numbered at lower left. Sugiura Kazutoshi was born in Kyoto in 1938. In 1957 he enrolled in the painting course at the Kyoto Municipal College of Fine Arts where he graduated in 1963 with a major in nihonga (Japanese-style painting). He then continued on a graduate course until 1967 when he began studying Japanese classical painting at the Kyoto National Museum. From 1968 to 1972 he studied fine art restoration, and in 1978 he was awarded a top prize for nihonga (Japanese style) painting by the Kyoto Federation of Galleries. Although very successful as an artist, he still teaches art at a Kyoto high school. From 1960 to the present, he has had solo shows at the Yamada Art Gallery in Kyoto; from 1986 to the present annual exhibitions in Tokyo. Since 1978 he has been represented at the annual CWAJ Print Show in Tokyo, and has for many years been shown at the annual exhibition of the Japan Print Association in Tokyo. He has also had other solo exhibitions in Tokyo, Portland, New York, Maryland, Washington, Connecticut, and a travelling solo show in the US and Canada. He is represented in the British Museum, the Chicago Art Institute, the Brooklyn Museum and numerous private collections. Sugiura Kazutoshi is best known for his flower compositions. He relies on traditional Japanese techniques to execute his beautiful silkscreens. He applies squares of gold leaf, in the same way old screens were made, onto handmade Japanese paper. His next step is to silkscreen his floral subjects onto the gold leaf. As each tone requires a separate screen, a colorful and complicated print may go through twenty printing stages. Next, blocking out the flowers, he uses a wash of pale shades of blue, purple, or green to cover the rest of the work, thereby toning down the glittering gold leaf and softening the effect. This item is on display in our gallery at OLD SAYBROOK ANTIQUES CENTER and can be seen by visiting 756 MIDDLESEX AVE OLD SAYBROOK, CT 06475. Open Daily 10am-4pm www.OldSaybrookAntiquesCenter.com

 
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