Chinese hand carved picture frame with beveled glass circa 1880. Very finely pierced carved. The frame measures 8.5 x 12 inches and takes a 6.5 x 10 inches photo. Excellent condition.
Francesco Rocchini (1820-1893) photograph of a palm tree in the Palace of Necessidades Gardens in Lisbon, Portugal, c1870-1880. The Palace of Necessidades is a historical building in the Largo do Rilvas, a public square. It serves as headquarters of the Portuguese Foreign Ministry. Formerly a convent belonging to the Congregation of the Oratory, it was built in the 18th century, by order of King John V, in gratitude for prayers answered by Our Lady of Needs, whose first devotional chapel stood on this site. The artist's impressed stamp is at lower right. The photo iss 8.5 x 10.5 inches; the frame is 17 x 21 inches. Very good condition with light fading.
The Senate Four (left to right): Orville Platt, John Spooner, William Allison, and Nelson Aldrich, meet informally at Aldrich’s Newport, Rhode Island, estate in 1903. There is another copy of this original photograph in the US Capitol Visitor Center Exhibition Hall, History of Congress and the Capitol. Exhibition title is Seniority and Power: The Senate Four 1897-1909. After the Civil War, Senate activity shifted from individuals to groups of members formed into committees. This gave tremendous power to important committee chairmen. By 1900, four senators known as the "Senate Four" dominated the most important Senate committees: Nelson Aldrich of Rhode Island (Finance); William Allison of Iowa (Appropriations); John C. Spooner of Wisconsin (Rules); and Orville Platt of Connecticut (Judiciary). These close friends met regularly to share information and plan strategy. A newspaper reporter of the time, February 19, 1903, wrote "These four men can block and defeat anything that the president or the House may desire." Their links to special interests, and their resistance to policies favored by President Theodore Roosevelt, provoked public concerns that led to calls for reform, including a constitutional amendment for direct election of senators. The original black walnut frame with gold leaf insert measures 26.25 wide x 21.25 inches high x 1.75 inches deep. The image measures 12 x 17 inches. Excellent condition, no fading. Photographed under original old glass. Newly matted with archival backing. This is a rare unsigned photograph. We have not yet identified the photographer.
American Victorian black walnut picture or photo frame c1871. This is simply the best frame we have had in this size. All original with lemon gold leaf insert. The frame measures 14 s x 16 h and 2.25 inches outside. The inside oval area for a painting or photograph measures 8 x 10 inches. This frame is just waiting for the perfect painting or photograph. It would also look great as a mirror. Stamped Pat'D Oct 24 1871 on reverse.If you wish to browse our entire available inventory please go to OneofaKindAntiques.com. We also offer a consultation service AntiquesConsultant.com, ... as well as an online price guide at TheBestAntiquesPriceGuide.com. Connecticut residents and buyers picking up in Connecticut please add the CT state sales tax. Buyers outside the USA are responsible for any taxes, tariffs or customs that might apply.
Maritime photograph of the Sarah by Nathaniel Livermore Stebbins, Boston, circa 1890. Albumen photograph, some fading, artist stamped N. L. Stebbins Boston lower left. The frame measures 21 x 17 inches and the photograph measures 8 x 10 inches. Nathaniel Livermore Stebbins (January 9, 1847 - July 10, 1922) was a noted American marine photographer whose surviving photographs document an important era in the development of American maritime activities, as sweeping technological and social changed revolutionized activity on the water, in military, commercial and leisure spheres. In addition to selling prints of his images, he also produced a number of books of nautical images in his lifetime, including an important illustrated coastal guide, which was path-breaking in showing the practical uses for photography. His photography (and, on occasion, writing) also appeared in such well-known magazines as The Rudder and Yachting. Over his working career as a commercial photographer (from 1884 to 1922), he took approximately 25,000 images. Of these, about 60% were of marine subjects (the majority of those being of leisure activities, but many are of military and commercial scenes, a valuable record for historians). The remainder include a wide variety of commercial work, including the theatre, railroads, home interiors, etc. Bio from Wikipedia.com