General William Dalrymple, 1735-1807, Col. of the 47th Foot and Lt.-Governor of Chelsea Hospital, father of the 7th Earl of Stair. Below the title: 'Taken on the Steyne at Brighton.'The original frame measures 12 x 15 inches and the print itself 8.5 x 11.5 inches. Laid down on paper. A very obese man stands in profile to the right., his hands behind him with a meditative expression. He wears old-fashioned dress, with round, broad-brimmed hat, and buckled shoes. 1 January 1804 Drawn by and published by Robert Dighton hand-coloured etching, published London: Published by Robert Dighton, Charg. Cross, Engraving with added hand-colour. Printed on watermarked laid paper. Name of subjects inscribed in contemporary script on bottom of image. pretty perfectHe was educated at Glasgow University 1749. In 1752 he joined the British Army, becoming an ensign in the 52nd Regiment of Foot. He became a lieutenant in 1759 and a captain (in the 91st Regiment of Foot) from 1760. By 1762 he was a major, and served in the campaign against the Spanish invasion of Portugal (1762). After a period on half pay in 1763, he was appointed to the 14th Regiment of Foot in 1764. He was promoted to lieutenant colonel in 1765. Between 1766 and 1768, Dalrymple was in Halifax, Nova Scotia. In 1768, he was placed in command of a detachment of two regiments sent to Boston, Massachusetts, to support embattled royal officials who were having trouble enforcing the unpopular Townshend Acts. Troops in his command (although he was not directly involved) were involved in the Boston Massacre, in which five civilians were killed when those troops fired into a crowd. Amid continuing hostility, Dalrymple acceded to the request of Acting Governor Thomas Hutchinson to remove his troops to Castle William, an island fortress in Boston harbour. In 1772-1773 Dalrymple received a local promotion to major general and commanded a force which captured the West Indian island of St Vincent. He returned to Britain in 1773. He continued to be in touch with his American Loyalist friends in Boston. He was saddened but not surprised by the Boston Tea Party. After the American War of Independence broke out in 1775, Dalrymple returned to North America. He served as quartermaster general 1779-1783. He was promoted to brigadier general (1779) and then major general (1782). After the end of the war Dalrymple was attacked for alleged corruption, but General William Howe stoutly defended his former subordinate and the allegations were dropped. Dalrymple then went into politics. He represented Wigtown Burghs in the British House of Commons from 1784 to 1790. Between 1796 and 1798 he sat for Duleek in the Irish House of Commons. Dalrymple was promoted to lieutenant general 1793 and general 1798.

A classic 70s lithograph by Garo Z. Antreasian (b. 1922), pencil signed and dated '72 (lower right) & numbered 15/15 (lower left) , the multi-color vertical geometric composition divided by foil striping from top to bottom; original gallery acrylic framing, partially labeled verso: Malvina Miller Gallery, San Francisco, CA. Dated 1972. Studied: Art Student's League, NYC. Collections include: Museum of Fine Arts, Boston, Brooklyn Museum, MOMA, Museum of Modern Art, Corcoran Gallery, etc. References: Who Was Who in American Art, Davenport's, Ask Art, etc. Dimensions: 48" H x 15 1/2" W

William Zimmerman vintage waterfowl art limited edition duck print #24 of 100. Signed and numbered lower right. The print measures 18 x 24 inches and has a new museum quality mat. The frame measures 32.25 inches by 26.24 inches. William Harold Zimmerman (b. 1938) had a life-long passion for drawing and painting birds. It was ignited at the age of ten when he discovered his neighbor's copy of John James Audubon's The Birds of America, that had been published more than a century earlier. His work has been shown in many museums and galleries including the Smithsonian and British museums and in private collections.

William Zimmerman vintage waterfowl art limited edition owl print #24 of 100. The print measures 18 x 24 inches and has a new museum quality mat. The frame measures 32.25 inches by 26.24 inches. William Harold Zimmerman (b. 1938) had a life-long passion for drawing and painting birds. It was ignited at the age of ten when he discovered his neighbor's copy of John James Audubon's The Birds of America, that had been published more than a century earlier. His work has been shown in many museums and galleries including the Smithsonian and British museums and in private collections.

A dramatic vintage pair of Japanese hand-colored woodblock prints, signed Taigyo (chop), with calligraphic inscriptions; one of deep blue morning glories, the other of similar blue iris, both behind glass in matching natural bamboo veneer frames. Japan, c. 1930s. Dimensions: 10 1/8" H x 14 3/4" W.